hen I was very young, four or five, my favorite story was “Little Red Riding Hood”: I would ask for it over and over again; protest when my mother would skip a detail in her retelling or change a word; and wear my bright red coat and hat with an air of self-possession. My mother and I did not know at the time that we were reenacting the well-known scene of storytelling, both of us predictably and yet with unintentional effects remaking the tale. I do not recall the ending of this fairy tale as told to me then, but the image of the girl has stayed with me and has taken different forms."
Cristina Bachilega in “Postmodern Fairy Tales: Gender and Narrative Strategies”.
“Sempre em busca de objetos curiosos, restos de brinquedos, cacos de mundos e rastros de histórias, Adriana Peliano costura desejos, monstros e contos de fadas. Suas colagens, metamofoses e assemblagens despertam inventários mágicos e múltiplos, onde a lógica do cotidiano é reinventada em novos sentidos e narrativas, criando jogos de linguagem e labirintos de sonhos. Tudo se transforma para contar novas histórias, abrindo portas para o maravilhoso.”
“Always in search of curious objects, broken toys, bits of things and traces of stories, Adriana Peliano stitches together desires, monsters and fairy tales. Her collages and metamorphic assemblages are magical and multiple inventories, where logic is reinvented with new meanings and narratives, creating language games and dream labyrinths. Everything is transformed to tell new stories that dislocate our way of seeing, inviting the marvellous to visit our world.”
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